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Press

Selected Clients

Publications

  • 2020

    • Ondrej Jób, Design It! Magazine, Slovakia
  • 2019

    • A typeface can always say something new, HNmagazín, Slovakia
  • 2018

    • Typography & Type Design, IdN Volume 24 No. 6, Hong Kong
    • Fonts SK, Slovenské centrum dizajnu, Slovakia
    • Saving The Type That Leads Us Through Streets, Denník N, Slovakia
  • 2017

    • The Streets Are Loosing Their Identity, Pravda, Slovakia
    • Typodarium 2018, Verlag Hermann Schmidt Mainz, Germany
    • Oppressed Freedom, Free Oppression – Czech And Slovak Graphic Design, 六耀社 Rikuyosha, Japan
    • Typography And Type Design In Slovakia: It All Began With Cyril And Methodius, Slovart/AFAD, Slovakia
  • 2016

    • Geometric Trend, Monsa, Spain
    • There Is Still A Way How To Face Tradition With Invention, Denník N, Slovakia
    • Fulla — Inspirations And Interpretations, Galéria Ľudovíta Fullu, Slovakia
    • The Insects Project: Problems of Diacritic Design for Central European Languages, Academy of Fine Arts in Katowice, Poland
    • Ondrej Jób, Type Designer, Designum 3/2016, Slovakia
    • Typodarium 2017, Verlag Hermann Schmidt Mainz, Germany
    • About The Present And The Future of Slovak Communication Design, Designum 2/2016, Slovakia
    • Ondrej Jób, Urban Market, Slovakia
    • Dutch Alphabets, De Buitenkant, Netherlands
  • 2015

    • To The Runway!, Galéria Ľudovíta Fullu, Slovakia
    • Yearbook of Type II, Slanted Publishers, Germany
    • 365 typo 1, étapes: editions, Czech Republic
    • Made In Slovakia: Čičmany, Vytvorené na Slovensku, Slovakia
    • Contemporary Type Design In Slovakia, Samo Čarnoký, Slovakia
    • PAGE 07.2015, Germany
    • Colorcode 2015, Designum 2/2015, Slovakia
    • Contemporary Typefaces, Slanted #25 – Paris, Germany
    • The Face of Nostalgia, Communication Arts Typography Annual 5, United States
    • Modern Cyrillic, Russia
  • 2014

    • Odesta, Typography 06, Japan
    • Medallions, Flash Art Czech & Slovak Edition 32–33, Czech Republic
    • Bestsellers, UMPRUM, Prague, Czech Republic
    • Contemporary Typefaces: Odesta, Slanted #23 – Swiss Issue, Germany
    • 30 Under 30, Forbes, Slovakia
    • Ondrej Jób, Atrium 4, Slovakia
  • 2012

    • Numbers in Graphic Design, Laurence King Publishing Ltd., United Kingdom
    • SELF, OZ trivjednom, Slovakia
    • One by One: Graphic Designers of the World Today, hesign International, China
    • Distinctive Accents, PAGE 06.2012, Germany
    • Logopond V1, Logopond, United States
    • Graficamente 46, Italy
    • Graficamente 23, Italy
  • 2011

    • A Is The Most Difficult To Design, Trend 49, Slovakia
    • Slanted #16 – Bold/Light, Germany
    • 150 Font You Can't Live Without, Computer Arts Projects 150, United Kingdom
    • The Black Box, Forward Marketing Events, Slovakia
    • Spring, Inspire 59, Slovakia
  • 2010

    • TypoLyrics – The Sound of Fonts, Slanted/Birkhäuser, Germany
    • Visible Data, Open Design Studio, Slovakia
    • StarType, Academy Of Fine Arts And Design, Bratislava, Slovakia
  • 2009

    • In The Hague; Klimax!, Designum 5/2009, Slovakia
    • Poster Triennial, Ján Koniarek Gallery, Trnava, Slovakia
    • In The International Style, TYPO 37, Czech Republic
    • Klimax Review, TYPO 36, Czech Republic
    • TDC2, PAGE 06.2009, Germany
  • 2008

    • The New Wavelet of Slovak Type Design, TYPO 34, Czech Republic
    • Color in Graphics, Maomao Publications, Spain
    • Data Flow, Gestalten, Germany
  • 2007

    • Goose For Ham, Academy Of Fine Arts And Design, Bratislava, Slovakia
    • Kelvin, Gestalten, Germany
    • European Design 2007, Print May/June 2007, United States
  • 2006

    • European Design 2006, Print May/June 2006, United States

Online

Awards & Recognitions

  • 2019

    • National Prize For Design: Fullove, SCD, Slovakia
  • 2018

    • Tatra Banka Foundation Art Award: Manual Project, Nadácia Tatra Banky, Slovakia
  • 2015

    • Favorite Typefaces of 2014: Woodkit, Typographica, United States
    • National Prize For Design: Colorcode, SCD, Slovakia
    • Modern Cyrillic: Woodkit, Modern Cyrillic, Moscow, Russia
    • Certificate of Excellence: Woodkit, TDC, New York, United States
  • 2014

    • Favorite Typefaces of 2013: Odesta, Typographica, United States
    • 30 Under 30, Forbes, Slovakia
    • Certificate of Excellence: Odesta, TDC, New York, United States
  • 2013

    • Notable Font Releases of 2012: Bismuth, Typographica, United States
  • 2012

    • Favorite Typefaces of 2011: Doko, Typographica, United States
  • 2009

    • National Prize For Design/Honorable Mention: Azyl.sk, Slovak Design Center, Slovakia
    • Certificate of Excellence: Klimax, TDC, New York, United States

Exhibitions & Residencies

  • 2019

    • COLORLOVE, Satelit, Bratislava, Slovakia
  • 2018

    • Liptovský Hrádok Digest, Rumanský Art Centre, Liptovský Mikuláš, Slovakia
    • Fullart, Galéria Ľudovíta Fullu, Ružomberok, Slovakia
  • 2017

    • Regular Line 2017, The Laundry, San Francisco, United States
    • Regular Line 2017, Residency, The Laundry, San Francisco, United States
  • 2016

    • Fulla — Inspirations And Interpretations, Galéria Ľudovíta Fullu, Ružomberok, Slovakia
    • Made In Slovakia At Fula, Residency, Vytvorené na Slovensku, Slovakia
  • 2015

    • To The Runway!, Galéria Ľudovíta Fullu, Ružomberok, Slovakia
    • Made In Slovakia: Čičmany, Residency, Vytvorené na Slovensku, Slovakia
  • 2013

    • Typography And Type Design In Slovakia: It All Began With Cyril And Methodius, SCD Satelit, Bratislava, Slovakia
  • 2012

    • SELF, PHOTOPORT, Bratislava, Slovakia
  • 2011

    • Typokabinet: Exhibition Of Contemporary Type Design In Slovakia, SCD/Dom Umenia, Bratislava, Slovakia
    • The Black Box II, Medium, Bratislava, Slovakia
  • 2010

    • Visible Data, SULUV Gallery, Novi Sad, Serbia
    • Type Design NL/SK, Satelit, Bratislava, Slovakia
  • 2009

    • The Black Box, P. M. Bohúň Gallery, Liptovský Mikuláš, Slovakia
    • Poster Triennial, Ján Koniarek Gallery, Trnava, Slovakia
    • The Black Box, Museum Of Art, Žilina, Slovakia
  • 2007

    • Goose For Ham, Galerie VŠUP, Prague, Czech Republic
  • 2005

    • E-A-T | Experiment And Typography, The International Centre of Graphic Arts, Ljubljana, Slovenia
    • Present, P. M. Bohúň Gallery, Liptovský Mikuláš, Slovakia

Speaking & Workshops

  • 2019

    • Never Trust A Type Designer, Design It!, Slovakia
    • Glyphs in Branding, Workshop, 436 Lab, Slovakia
  • 2018

    • Fullart PechaKucha Night, Galéria Ľudovíta Fullu, Ružomberok, Slovakia
  • 2016

    • PechaKucha Night Trnava Vol. 20, Publikum/Štúdio tanca a pohybu Alegria, Trnava, Slovakia
    • PechaKucha At Fulla, Publikum/Galéria Ľudovíta Fullu, Ružomberok, Slovakia
  • 2011

    • TYPO Lectures II – Ján Filípek, Ondrej Jób – Founding Type Foundries, Ateliér tvorby písma a typografie UMPRUM/Tranzitdisplay, Prague, Czech Republic
    • DizajnDesign & Urtd, University of Žilina, Slovakia
    • TypoTopo, Workshop, OZ Poster/FreeDom Gallery, Báhoň, Slovakia
  • 2010

    • PechaKucha Night Bratislava Vol. 12, Punkt/MMC, Bratislava, Slovakia
  • 2009

    • Ondrej Jób, Ján Filípek – Type and Media 08/09, Academy Of Fine Arts And Design, Bratislava, Slovakia